Trio Granada by Radwa Ashour as a model

Abstract

The importance of this study lies in presenting a special critical view towards modern critical theories, Western approaches and how to apply them to an Arabic text, taking into account the problem of underestimating modern and contemporary critical discourse, and not being impressed with the culture of the other at the expense of the original Arab civilization. As for the aim of this study, it is to monitor the features of the critical vision from which the novelist Radwa Ashour was launched, to monitor the features of modernity and how to apply them with a modernist vision and new artistic tools for old heritage elements, topped by the place, describing the novel, the narration of the lost place and paradise, and the contemporary problematic issues and topics it raised It still haunts the contemporary Arab man. Based on the relationship between the traditional theories of Arab criticism and the theories of contemporary Arab criticism, and its influence with Western critical theories, through the movement of personality in place, analyzing the text and adapting to its nature, questions, and concepts. And that is through a complex linguistic approach that belongs to a (sociotechnical) approach that returns the historical and social phenomenon to its roots and does not isolate the personality from its reality. It monitors the writer's concept of modernity and antiquity.