Simulation and imagination and their role in building the poetic image of Muslim philosophers

Abstract

The talk of Muslim philosophers, especially Al-Farabi, Ibn Sina  and Ibn Rushd, in the their literary and poetic messages about the aesthetic characteristic of the literary style took many and varied forms. They considered poetry to be representation, simulation, imagination, simile and change, and these are all terms for them that mean one thing, and they fall within the framework of their clarification of the poetic process and its relationship with the poet and the expressive language and then with the listener It also reflects the extent to which they are affected by the perceptions and aesthetic concepts included in the first Arab philosophical texts, through which it becomes clear the nature of the theoretical development that took place in their dialogue of the poetic phenomenon, which is mainly represented in the consolidation of their knowledge of the  simulation.           imaginative essence of poetry and of